BIBLIOGRAPHY (Selection from 2011)

 

2020

 

– “Linha do tempo,Timeline”, Bienal de Sao Paulo, publié à l’occasion des 70 ans de la Biennale de Sao Paulo, (p. 27ª Bienal – 2006).

– “Le supermarché des images”, Gallimard/Jeu de Paume, Paris, 2020 (p. 142-143).

– “Be a Hero ! Be an Outsider! Be Robert Walser! Thomas Hirschhorn baut dem promeneur solitaire Robert Walser ein Denkmal“, by Paolo Bianchi in Kunstforum „Die Kunst des Gehens” n°266 March-April 2020 (p.144-155).

– “Robert Walser-Sculpture, Thomas Hirschhorn“, Hatje Cantz, 2020.

– “Pour une critique du design graphique”, Catherine de Smet, Nouvelle édition, Editions B42, Paris (p. 143-149).

– “Robert Walser-Modell / The Robert Walser Model”, Thomas Hirschhorn, Robert Walser Zentrum, Bern 2020.

– “les Artistes Iconographes”, garance Chabert et Aurélien Mole, entretiens par Timothée Chaillou, coédition Villa du Parc et Empire Books (p. 265-272).

 

2019

 

– “Cahiers Bataille 4”, Dictionnaire critique de Georges Bataille, Editions les cahiers, 2019 (Artiste, p. 27-29).

– “Thomas Hirschhorn, Pixel-Collage” in Bild, Blick, Berührung, Optische und tactile Wahrnehmung in den Künsten, Tina Zürn, Steffen Haug, Thomas Helbig,  Wilhelm Fink Verlag, 2019 (p.219-236).

– “Thomas Hirschhorn“, Simon Baur, Kuenstler Kritisches Lexikon der Gegenwartskunst, Ausgabe 122/Heft11/2.Quartal 2018, Kunstmedien MME GmbH, Neu-Isenburg 2019.

– Entretien Thomas Hirschhorn, “Les Cahiers du Musée National d’Art Moderne, Préhistoire“, 147 Printemps 2019, (p.85-89).

– „Thomas Hirschhorn, Pixel Collage N° 37“, in OPENART 2019 Utställnings-katalog, (p.154-155).

– „Thomas Hirschhorn, Swiss Army Knife”, in “Atlas. Cartographie du don”, publication Musée Cantonal des Beaux-Arts de Lausanne, 2019 (p. 25-26).

– “Theater of Operations: The Gulf Wars 1991-2011”, catalogue MoMa PS1, 2019, (p.122-123, and in “Inherent Resolve” by Peter Eleey p.47,49).

– “Thomas Hirschhorn, What Must Be Done” in “Hans Haacke, All Connected” New Museum, Phaidon 2019 (p. 190).

 

2018

 

– “Thomas Hirschhorn, Gramsci Monument (2013)”, in Oslo Pilot (2015-17) – a project investigating the role of art in and for public space – laying the groundwork for Oslo Biennial First Edition, Mousse Publishing, Milano 2018 (p. 457-493).

– “Thomas Hirschhorn, Maps”, Julie Enckell Julliard (ed), Musée Jenisch Vevey and JRP/Ringier, 2018.

– “Les artistes iconographes”, Garance Chabert et Aurélien Mole, Editions Empire/Villa du Parc, centre d’art contemporain Annemasse (p. 265-272).

– “Thomas Hirschhorn Pixel-Collage”, catalogue, National Gallery of Kosovo, 2018.

– “All the time in the world, Maria Stavrinaki on art and prehistory”, Artforum March 2018 (p. 203-2013).

– „Robert Walser. Eine Ohrfeige und sonstiges. Ausgewählt von Thomas Hirschhorn und Reto Sorg“, Surhrkamp, Mai 2018.

– Thomas Hirschhorn, Interview with Olivier Zahm, in Purple 76 Index / Issue 29 Spring/Summer 2018 (p. 242-245).

– “Robert Walser-Sculpture”, in Artmapp März-Juni 2018 (p.28-33).

– “The Dictionary of Evil“, Catalog Gangwon International Biennale 2018 (p.156-159).

– “Interview mit Thomas Hirschhorn”, HKB-Zeitung N°2/2018 (p.4-5).

– “Thomas Hirschhorn. Pixel-Collage.”, Fotogalleriet 1977-2017, Oslo 2018 (p. 32-39).

– ”im Tun, Eine Geschichte des Künstler*innen 2018-1993, Kunsthalle Bern 100 Jahre”, (p. 176-183).

– “Thomas Hirschhorn, What can I learn from you. What can you learn from me. (Critical Workshop)”, exhibition catalog, Remai Modern, 2018.

– “Das letzte Bild. Fotografie und Tod, The last Image: Photography and Death”, exhibition catalog, C/O Berlin Foundation, Spector Books, Leipzig, 2018 (p. 244-253).

– “Picture Industry. A provisional History of the Technical Image 1844-2018”, exhibition catalog edited by Walead Beshty, Luma Arles, CCS Bard College, JRP/Ringier 2018 (p. 742-745).

– “Thomas Hirschhorn et Georges Bataille, La foudre des Flammes”, Eric Valentin, Histoire des Arts, Edition L’Harmattan, Paris 2018.

– “La Strada Dove si crea il mondo”, edited by Hou Hanru with the Maxxi curatorial and research team, 2018 MAXXI-Museo nazionale delle arti del XXI secolo/Quodlibet (p. 471).

– “Tout Va Bien”, Edition of 70, published by Alt Går Bra, Bergen (p. 31-35).

 

2017

 

– “Andy Warhol: Dark Star”, published at the occasion of the exhibition Andy Warhol: Dark Star at Museo Jumex, Mexico City, Fundacion Jumex Arte Contemporaneo and Delmonico Books – Prestel, 2017, (p. 154-155).

– “Les plaintifs, les bêtes, les politiques”, 2ème édition de la publication du centre genevois de gravure contemporaine 1995 réalisée par Galerie Chantal Crousel, Paris 2017.

– “Sommerakademie im Zentrum Paul Klee, 12.-20.08.2016 at Kunsthalle Bern, Archive”, Editor Thomas Hirschhorn/Sommerakademie im Zentrum Paul Klee, published by Petit Palais-Die kleine Edition, 2017.

– “Thomas Hirschhorn – Made in the Tunnel of politics”, catalogue Refugium, Biennale Kulturort Weiertal 2017, (p12-17).

– “The Absent Museum”, catalogue edited by Dirk Snauwaert, 2017 Mercatorfonds and Wiels (p. 146-151).

– “Bric-à-brac, The Jumble of Growth”, catalogue 2016 of “The 3rd Today’s Documents”, Today Art Museum Book, Phoenix Publishing & Media Inc 2017 (p.224-227).

– “Beyond Objecthood”, James Voorhies, The MIT Press, Cambridge Massachusetts 2017, (p.162-185).

– “Purple Philosophy, Artworks by Thomas Hirschhorn”, Purple Fashion, Spring Summer 2017, Vol. III, Issue 27 (p.401-409).

– “Face Tunes”, published at the occasion of the exhibition at Bielerfelder Kunstverein, 26. August-05. November 2017, (p. 14).

– “Thomas Hirschhorn: constructed deconstruction”, Musée Magazine, November 15, 2017.

– „Thomas Hirschhorn“, Publication 04 Kunstmuseum Liechtenstein, Vaduz, 2017.

– „Field Guide“, catalogue edited by Remai Modern, 2017 (p. 38-43, 72).

– “Affect Me. Social Media Images in Art”, published at the occasion of the exhibition, Kai10/Arthena Foundation, Düsseldorf, 2017 (p.136-141 and insert).

– “Von Anselm bis Zilla, Die Sammlung Peter und Elisabeth Bosshard des Stiftung Kunst(Zeug)Haus, Kunst(Zeug)Haus Rapperswil-Jona und Lars Müller Publishers, 2018 (p. 138-139).

– „Expanded Exchange“ Parkett n°100/101, November 2011 (p. 414-415).

– Das Museum der Zukunft, Ein Manifest von Thomas Hirschhorn“, and „Uber Bewahrung. Thomas Hirschhorns Doppelgarage im Museum“ Heinz Schütz, Museumboom, Kunstforum 251, Dec 2017-Jan 2018 (p. 158-161 and p.154-157).

– „33 Jahre Galerie Susanna Kulli, ein Material Buch“, Edition Susanna Kulli 2017 (Cover and p. 386-387, 406-413, 446-450, 486, 487, 488, etc).

– „L’autre… De l’image à la réalité“, Blandine Roselle, catalogue de l’exposition au Centre d’art de La Maison populaire, 2017 Nouvelles Editions Scala/La Maison populaire, (p. 64-71).

– “De-Pixelation”, Thomas Hirschhorn, ArtReviewAsia Vol 5 n°2 summer 2017 (p. 56-57).

 

2016

 

– “Vor aller Augen”, Michael Diers, Wilhelm Fink, Bild und Text, 2016 (p.156-157, 271-280).

– “Flâneur, New urban narratives”, Procur.arte, 2016.

– “Pixel-Collage Thomas Hirschhorn”, Osmos Magazine, Issue 08 Spring 2016 (p. 60-67).

– “Erschütterungskunst”, Daniele Muscionico, in Neue Zürcher Zeitung, 10. Februar 2016.

– “The Age of Collage Vol.2”, Contemporary Collage in Modern Art, Gestalten, Berlin, 2016 (p.246-247). 

 

2015

 

– “Déplacer l’Institution”, Printemps des Laboratoires #3, Conférence Thomas Hirschhorn (p.9-11) , Le Journal des Laboratoires d’Aubervilliers 2015/2016.

– “Bad New Days; Art, Criticism, Emergency”, Hal Foster (p.35-41; 98-113), Verso, London New York, 2015.

– “Flamme éternelle, Thomas Hirschhorn”, in Rethinking Marxism, 2015 Vol. 27, No. 3, Routledge (p.405-429).

– “Autonomy, Yes! Democracy, No!” in “Politically Unbecoming” by Anthony Gardner, MIT Press, Cambridge Massachusetts 2015, (p.149-191).

– “Museu precario Albinet, Thomas Hirschhorn” in “Arte, cidade, precariedade”, Berta de Oliveira Melo, Faculdade de arquitetura e urbanismo da universidade de Sao Paulo, 2013.

– “Une volonté de faire, Thomas Hirschhorn”, collection Les in-disciplinés-e-s, Editions Macula, Paris, 2015.

– “Gramsci Monument, Thomas Hirschhorn”, in Rethinking Marxism”, Volume 27, No. 2, April 2015, Routledge, (p.213-240).

– “Gramsci Monument” Thomas Hirschhorn, Dia and Koenig Books, London, 2015.

– “Public abstraction”, Kunstverein Arnsberg (p. 37), Verlag der Buchhandlung Walther König, Köln, 2015.

 

2014

 

– “Gegen/Welten” Catalogue, text by Viola Vahrson (p. 452-459), Haymon Verlag, Innsbruck Wien 2014.

– “Thomas Hirschhorn, Flamme éternelle”, interview by Anaël Pigeat in Artpress n°414 September 2014 (p. 62-66).

– “Manifesta10, The European Biennial of Contemporary Art”, Saint-Petersburg, Russia, The State Hermitage Museum, Catalogue, Koenig Books, London 2014 (p. 124-129).

– “Thomas Hirschhorn, les morceaux d’infini”, Daniel & Alexandre Costanzo in Inferno six-monthly n°3, Summer 2014 (p.242-247).

– “Thomas Hirschhorn, Flamme éternelle”, in “L’état du ciel“, Palais de Tokyo, Paris (p. 66-75).

– “Thomas Hirschhorn, Ecrits d’artiste”, in Palais N°19, Palais de Tokyo Paris, (p.48-78).

– “Thomas Hirschhorn, Cavemanman, 2002”, Les Cahier du Mnam, N°126 hiver 2013/2014, Centre Pompidou Paris, (p. 95-109).

– “Thomas Hirschhorn, Deleuze Monument”, Anna Dezeuze, Afterall Books:One Work, London 2014.

– “Branchement Van Gogh”, Patricia Falguières in “Van Gogh Live! Inauguration”,  Analogues, maison d’édition pour l’art contemporain et Fondation Vincent van Gogh Arles, Arles 2014 (p. 120-143).

– “Van Gogh Live, Thomas Hirschhorn en conversation avec Bice Curriger”, in L’Officiel Art n°9 Mars- Avril-Mai 2014 (p 196-201).

  

2013

 

– “Nur Skulptur!”, Catalogue Kunsthalle Mannheim, KehrerVerlag Germany, (p. 40-45, 140-143).

– “Etat Critique, Thomas Hirschhorn”, Interview par Jérôme Sans, in L’Officiel Art n°5 Juin, Juillet, Août 2013 (p 146-153).

– “Critical Laboratory, The Writings of Thomas Hirschhorn”, edited by Lisa Lee and Hal Foster, MIT Press October Books, Cambridge Massachusetts 2013.

– “Thomas Hirschhorn, Ein Neues Politisches Kunstverständnis?“, Christina Braun, Verlag Silke Schreiber,München Germany, 2013.

 

2012

 

– “Kunst und Philosophie/Art and Philosophy”, Marcus Steinweg, published at the occasion of the exhibition at n.b.k. Berlin.

– “Kunst als Dialog oder Konfrontation – von eins zu eins”, with Paolo Bianchi in Kunstforum March-April 2012.

– “Untere Kontrolle”, Icône in Multitudes 48 spring 2012.

– “Twin-Subjecter”, Articulate, Art Gallery of South Australia, Automn 2012.

– “Neue Bezugsfelder in Kunst und Gesellschaft”, Friederike Wappler in “New Relations in Art and Society” Christoph Keller editions, jrp/ringier .

– “Thomas Hirschhorn, Sur l’hyperconsommation et la résistance”, Michael Dirisio in Esse Arts + Opinions n°75, Montréal (p. 48-55).

– Catalogues “Les Maîtres du Désordre”, Musée du Quai Branly Paris, (p. 28-29, 52-53)

– “Presuposition of the Equality of Intelligences and Love of the Infinitude of Thought – A discussion between Jacques Rancière and Thomas Hirschhorn” in Open 2012/n°23 Autonomy (p.128-146).

– “Thomas Hirschhorns Musée Précaire Albinet, Aubervilliers, Paris 2004”, in Sabine Gebhardt Fink “Process – Embodiment – Site”, edition Passagen Verlag Wien 2012 (p. 83-99)

– “Perpetual Revolution: Thomas Hirschhorn’s Sense of the World”, in Pamela M. Lee “Forgetting the Art World”,The MIT Press, Cambridge Massachusetts 2012 (p. 105-146).

– “Thomas Hirschhorn on Andy Wahrol” in “In My View” Edited by Simon Grant, Thames & Hudson (p.102-103).

– “I am Ready to Pay the Price”, in Inaesthetics #3 Money, Merve Verla Berlin 2012 (p. 150-164).

– “What Functions, Produces”, in Claire Bishop “Artificial Hells, Participatory Art and the Politics of Spectatorship”, Verso, London New York 2012 (p. 260-4).

 

2011

 

– “It’s burning everywhere”, published at the occasion of the exhibition at Kunsthalle Mannheim, Germany, 2011.

– “Das Auge”, published at the occasion of the exhibition at The Power Plant, Toronto.

– “Où je me situe? Qu’est-ce que je veux?” in “L’art de l’assemblage, Relectures”, Presses Universitaires de Rennes, 2011

– “Establishing a Critical Corpus”, textbook published at the occasion of “Crystal

of Resistance” at the Swiss Pavilion of the Venice Biennale, jrp-ringier, 2011.

– “Truth or Dare: The Art of Witnessing”, David Joselit in Artforum Sept-2011.

– “Out of Time” by Tim Griffin in Artforum September 2011 (p. 288-293).

– “Erre, Variations Labyrinthiques”, catalog of the exhibition, Centre Pompidou-Metz.

– “Kurt Schwitters-Platform, Untere Kontrolle”, catalogue, Sprengel Museum Hannovre.

– “Irresistible, Thomas Hirschhorn in Venice” by Cathryn Keller in “Sculpture”, December 2011 Vol. 30 No.10 (p. 24-27).

– “Thomas Hirschhorn. The Spectre of Evaluation”, Matthew Schum in Flash Art, May-June 2011.