“LAST CHANCE-What can we learn from History of Art, for today’s understanding” [fr]

“LAST CHANCE-What can we learn from History of Art, for today’s understanding” [eng]

The “Art = Shelter” in Kharkiv

Concerning “Gravity-Plate 1” and “Gravity-Plate 2”

“Model for a Monument” (2024) [eng]

“Model for a Monument” (2024) [fra]

“Fake it, Fake it – till you Fake it.” (2023)

“POST” (2023)

“10 Years Gramsci Monument” (2023)

“M.E.S.S.S.Y.” (2023)

Tun was zu tun ist. Ein Bericht (2022)

“Can I Trust You?” [ger] (2021)

Self-Debriefing: “Energía = Si ! Calidad = No !” (Taller Critico) – (2021)

“The Purple Line” (2021)

«I-NFLUENCER-POSTERS» (2021)

“Simone Weil-Memorial” – [ger] (2021)

“WE ARE STILL ALIVE.” (2020)

“Medaillon” (2020)

“Simone Weil-Map” (2020)

“Eternal Ruins” (2020) – [fra]

“Eternal Ruins” (2020) – [eng]

Merci! Danke! Thank You! (2019)

WORKSHOP “ENERGY = YES! QUALITY = NO!” – KOCHI BIENNALE DEBRIEFING (2019)

“Never Give Up The Spot” (2017) – [ger]

“What can I learn from you. What can you learn from me. (Critical Workshop)” – (2017)

“Behind Facelessness” (2017)

“De-Pixelation” (2017)

“Self-Pixel” (2016)

“New Pixel-Collage” (2016)

“Pixel-Collage” (2015) – [fra]

“Pixel-Collage” (2015) – [eng]

“Roof Off” (2015)

“Nachwirkung” (2015) – [eng]

“Nachwirkung” (2015) – [ger]

Zu den in „Nachwirkung“ integrierten 5 Kunstwerken (2015)

“Mürrischer Schnee” (2014) – [ger]

“Mürrischer Schnee” (2014) – [eng]

«Höhere Gewalt» (2014) – [eng]

“Höhere Gewalt” (2014) – [ger]

“Livres parisiens” (2014)

“In-Between” (2014)

“ABSCHLAG” (2014)

«Break-Through» (2013)

“The Fire Was Here” (2013)

“Diachronic-Pool” (2013)

“Concordia, Concordia” (2012)

“Spinoza-Car” (2012)

«LAUNDERETTE» (2011)

“Crystal of Resistance” Flyer (2011)

“Exhibiting Poetry Today: Manuel Joseph” (2010)

“Eye to Eye Subjecter” (2010)

Zu meiner briefmarke: “I ♥ art and art ♥ me!” (2010)

“Exhibiting Poetry Today: Manuel Joseph“ – Mission (2009)

Faith (2009)

6 concerns about “The Bijlmer Spinoza-Festival” (2009)

“John Heartfield-Memorial” (2009)

«The Bijlmer Spinoza-Festival» (2009)

«Too Too-Much Much» (2010) – [nld]

«Too Too–Much Much» (2008) – [fra]

«Ur-Collage» (2008) – [eng]

« Ur-Collage » (2008) – [ger]

“Stand-alone” (2007) – [eng]

“Concretion Re” (2007) – [fra]

“Concretion Re” (2007) – [eng]

“Concept-Car” (2007)

Stand-alone” (2007) – [ger]

About my work “Substitution 2 (The Unforgettable)” – (2007)

“4 Men” (2007)

“TRIPOD” (2007)

«CONCRETION» (Lettre à Frédéric) – (2006) – [fra]

“CONCRETION” (Letter to Frédéric) – (2006) – [eng]

«RE» (2006)

“RE” (Compte-rendu) – (2006)

About “U-Lounge” (2006)

«Hannah Arendt-Map» (2006)

“The green coffin” (2006)

“RESTORE NOW” (2006)

“Blaue Tombola” (2006)

Letter to Clare (“Châlet Lost History”) – (2005)

“Big Resonance Chamber” (2005)

“Outgrowth” (2005)

“UTOPIA, UTOPIA = ONE WORLD, ONE WAR, ONE ARMY, ONE DRESS” (2005)

“Outgrowth” (2005)

“KNABENTRAUM” (2005)

“24h Foucault”, pre-project (2004) – [eng]

“24h Foucault”, pre-project (2004) – [fra]

A propos du «Musée Précaire Albinet» (2004)

«24h Foucault» (2004)

“UNFINISHED WALLS” (2004)

“Swiss-Swiss Democracy” (2004)

About the “Musée Précaire Albinet” (2004)

“Musée Précaire Albinet” – Aubervilliers / Conférence à Rennes (2004)

“STAND-IN” (2004)

“Châlet Lost History” (2003)

«PROVIDE RUINS» I-VIII (2003)

«Emergency Library» (2003)

„Emergency Library“ (2003) – [ger]

“Drift Topography” (2003)

“Bataille Monument” (2002)

CAVEMANMAN Pre-Project (2002)

“Doppelgarage” (2002) – [ger]

Concerning «Blow down» (2001)

Letter to Bice (Regarding Wirtschaftslandschaft Davos) – (2001)

A propos de la fin du “Deleuze-Monument” (2000)

“Archeology of Engagement” (2000)

“JUMBO SPOONS” (1999)

“Spinoza-Monument” (1999)

“Raymond Carver-Altar” (1999)

“Sas de Contamination” (1999)

“WORLD CORNERS” (1998)

“SWISS CONVERTER” (1998)

“Lascaux III” (1997)

“Crédit Lyonnais-Dock”, Bordeaux (1995)

“Rosa Tombola” (1994)

“Wall Display” (1994)

“Fifty-Fifty à Belleville” (1993)