“What can I learn from you. What can you learn from me. (Critical Workshop)” – (2017)

This is a Critical-Workshop. An everyday workshop, from morning to evening. I want to invite different and diverse residents of Saskatoon to be present and to share their specific knowledge, specific skills or specific history with the other. I, myself, will take part with my own input. I will be on site from morning to evening, every day.

The idea, the philosophy, the guideline, the affirmation of this workshop is: To share the PARTICULAR and in sharing it to make it UNIVERSAL. Because everybody can learn something from the Other. And because everybody can teach the Other something specific.

Art is universal. Universality means Equality, Justice, Truth, the Other, the One World. Art – because it’s art – can provoke a dialogue or confrontation directly, from one to one. Therefore I think that each human being can get in touch with art, each human being can be transformed by the power of art. I believe that art is the way to reinvent the world. Art is autonomous. Autonomy is what gives an artwork its beauty and its absoluteness. Art – because it’s art – can create the conditions of an implication, beyond anything. Art is resistance. Art resists facts; Art resists political, aesthetical, cultural habits. Art is positivity and intensity. Art – because it’s art – calls for equality. There is no other fundament, there is no other mission. The absolute affirmation of Equality is the link, the hidden and invisible connection which holds a work together. Precisely because it’s not a fact, pure equality needs to be fought for at every moment. Therefore I believe there is something “I can learn from you” and there is something “you can learn from me.”

I believe in art and I have faith in art. I think that art is an inclusive movement; art should include the ‘Non-exclusive audience’, the Other, the Neighbor, the Stranger, the Unknown, the Un-interested. Art can never act in resentment or negativity, art is always and in all circumstances against discrimination, racism, and exclusion. As an artist – I want to express my belief in equality and my understanding of Equality as a common wealth: A wealth which we have in common. Equality – as wealth – is something to achieve and defend, day-by-day, work-by-work, again and again. Achieving and defending equality – as an artist – means making an egalitarian work of art and taking an egalitarian artistic position. The competence to do this – my competence – can only come from the work itself, from making it, and asserting it. I consider my competence to give form a mission. Competence is an important term to me because the competent one has to prove his or her skill with acts. Competence towards Equality demands asking myself and giving a response in working, in doing a work of art. “What can I learn from you. What can you learn from me.” wants to work this out.

Working – as an artist – means understanding art as a tool, an instrument or a weapon. I understand art as a tool to confront reality. I use the tool ‘art’ to encounter the world I am living in. I use the tool ‘art’ to live within the time I am living in. I use the tool ‘art’ because it allows resisting the historical fact beyond the history I am living in – precisely because it allows me to make an a-historical work within the chaos and complexity of the moment. I want to use art as a tool to establish a contact with the Other . I am convinced that the only possible contact with the Other happens “One to One”, as equal. I want to make a work that gives form – a form of equality – to the affirmation: the Other is included in “me” and in “I”. As Edouard Glissant wrote in his beautiful and powerful sentence: “The Other is in me because I am me. Equally – the I from whom the other is absent – perishes”. This is the problematic, the challenge, the mission, and why I love making a work of art so much. My ‘Critical Workshop’ “What can I learn from you. What can you learn from me.” is an attempt to give Form.

Thomas Hirschhorn, Aubervilliers, 2017