STATEMENTS AND LETTERS

Raffle-Relationship-Payment (2023)

TWO MISUNDERSTANDINGS (2023)

BELIEVE (2022)

Letter to Zeljka (2022)

The Way Out, Out, Out (2022)

“About Beauty” (2020)

“Being Different Is Beautiful“ Ein Nachruf für Okwui Enwezor (2019)

SOME MOMENTS OF GRACE (IN MY WORK) – Tribute to Simone Weil (2018)

Pourquoi Robert Walser est-il un héros ? (2018) – [fra]

Warum ist Robert Walser ein Held ? (2018) – [ger]

9 points to clarify my interest in pixelation and why I am interested in working with pixels. (2017)

Dessiner = Décider (2016)

Response to Sarah (2016)

David Hammons’ quote (2016)

Why do I think what I think? Why do I do what I do (art)? Why do I use the tool or instrument I use? Why do I give the form I give? (2015)

11 Reasons why I have no problem with confronting negative critics on my work (2014)

Why do I write about my work ? (2014)

“Corps critique” (2014)

ABOUT “NO-PROGRAMMATION” (2014)

Letter to Joanna – some thoughts about “the political”, about “art”, about “dilemma” and about “boycotting” (2014)

Why I love books and why I love these books (2014)

11 Raisons pourquoi ce n’est pas un problème pour moi de confronter des critiques négatives sur mon travail (2014)

My comment to the NZZ-interview of M. Piotrowski (email TH to Hedwig Fijen May 6. 2014)

“Critical Corpus” (2014)

Unshared Authorship (2014)

GUIDELINE: PRESENCE AND PRODUCTION (2014)

About Headlessness (2013)

“Energy: Yes! Quality: No!” (2013)

Le public «Non-Exclusif» de Vincent Van Gogh (2013)

Lettre à Fanny (2013)

¿ Por qué es importante -hoy día- mostrar y mirar imágenes de cuerpos humanos destruidos ? (2012)

Pourquoi est-il important – aujourd’hui – de montrer et regarder des images de corps humains détruits? (2012)

Statement concerning “Subjecter” (2012)

Warum ist es wichtig – heute – Bilder zerstörter Menschenkörper zu zeigen und anzuschauen? (2012)

Unshared Authorship (2012) – [fra]

Statement concerning “Subjecter” (2012)

Tribute to Form (2012)

I love to produce my work! (2012)

Why Is It Important – Today – to Show and Look at Images of Destroyed Human Bodies? (2012)

“BANNERS” (2012) – [ger]

“BANNERS” (2011) – [eng]

“Usual Suspect” (2011)

The Guggenheim-Dilemma (2011)

“Spectrum of Evaluation” (2010) – [eng]

Robert Walser is one of the most inspired and inspiring Swiss writers (2010)

“Double happiness” (about “intellectual property”) – (2010)

“For the first time” (on Andy Warhol) – (2010)

Qu’est-ce que je veux ? Quelle est ma position ? (Conférence) – (2010)

Le «Spectre d’évaluation» (2010) – [fra]

“Force Majeure” (2009)

Statement: Produktion = Ja! (2009)

Toward ‘Precarious Theater’ (2009)

A propos du “Spinoza Théâtre” (2009)

Faire de l’art politiquement: Qu’est-ce que cela veut dire? (2008) – [fra]

Doing art politically: What does this mean? (2008) – [eng]

Kunst politisch machen: Was heisst das (2008)

Warum “Wo stehe ich ?” und warum “Was will ich ?” (2008)

“Wo stehe ich ? “Was will ich ?” (2008)

About Artist-Lectures (2007)

ABOUT MY WORKS ON PAPER (2006)

MY WARHOL (2004)

STATEMENT : «Monuments» (2003)

Letter to Pamela (Seven questions about Politics, Grapus, & Philosophy) – (2003)

STATEMENT : «Altars» (2003)

STATEMENT : «Direct Sculptures» (2000)

STATEMENT : «Kiosks» (2000)

Artiste Soldat (2000)

“Bic” et l’engagement politique (1996) – [fra]

“Bic” and Political Commitment (1996) – [eng]

Less is Less, More is More (1995) – [ger]

Lettre à Guy Tortosa (1995)

Lettre à Thierry de Duve (1994)

Qu’est-ce que j’ai fait ici ? (1994)

Das “Musée d’Art Brut” in Lausanne (1993)

Über meine Ausstellung à L’Hôpital Éphémère (1992) – [ger]

About my exhibition at the Hôpital Éphémère (1992) [eng]

What Should Be Done (1989) – [eng]

Ce qu’il faut faire (1989) – [fra]

PROJECTS

“Model for a Monument” (2024) [eng]

“Model for a Monument” (2024) [fra]

“Fake it, Fake it – till you Fake it.” (2023)

“POST” (2023)

“10 Years Gramsci Monument” (2023)

“M.E.S.S.S.Y.” (2023)

Tun was zu tun ist. Ein Bericht (2022)

“Can I Trust You?” [ger] (2021)

Self-Debriefing: “Energía = Si ! Calidad = No !” (Taller Critico) – (2021)

“The Purple Line” (2021)

«I-NFLUENCER-POSTERS» (2021)

“Simone Weil-Memorial” – [ger] (2021)

“WE ARE STILL ALIVE.” (2020)

“Medaillon” (2020)

“Simone Weil-Map” (2020)

“Eternal Ruins” (2020) – [fra]

“Eternal Ruins” (2020) – [eng]

Merci! Danke! Thank You! (2019)

WORKSHOP “ENERGY = YES! QUALITY = NO!” – KOCHI BIENNALE DEBRIEFING (2019)

“Never Give Up The Spot” (2017) – [ger]

“What can I learn from you. What can you learn from me. (Critical Workshop)” – (2017)

“Behind Facelessness” (2017)

“De-Pixelation” (2017)

“Self-Pixel” (2016)

“New Pixel-Collage” (2016)

“Pixel-Collage” (2015) – [fra]

“Pixel-Collage” (2015) – [eng]

“Roof Off” (2015)

“Nachwirkung” (2015) – [eng]

“Nachwirkung” (2015) – [ger]

Zu den in „Nachwirkung“ integrierten 5 Kunstwerken (2015)

“Mürrischer Schnee” (2014) – [ger]

“Mürrischer Schnee” (2014) – [eng]

«Höhere Gewalt» (2014) – [eng]

“Höhere Gewalt” (2014) – [ger]

“Livres parisiens” (2014)

“In-Between” (2014)

“ABSCHLAG” (2014)

«Break-Through» (2013)

“The Fire Was Here” (2013)

“Diachronic-Pool” (2013)

“Concordia, Concordia” (2012)

“Spinoza-Car” (2012)

«LAUNDERETTE» (2011)

“Crystal of Resistance” Flyer (2011)

“Exhibiting Poetry Today: Manuel Joseph” (2010)

“Eye to Eye Subjecter” (2010)

Zu meiner briefmarke: “I ♥ art and art ♥ me!” (2010)

“Exhibiting Poetry Today: Manuel Joseph“ – Mission (2009)

Faith (2009)

6 concerns about “The Bijlmer Spinoza-Festival” (2009)

“John Heartfield-Memorial” (2009)

«The Bijlmer Spinoza-Festival» (2009)

«Too Too-Much Much» (2010) – [nld]

«Too Too–Much Much» (2008) – [fra]

«Ur-Collage» (2008) – [eng]

« Ur-Collage » (2008) – [ger]

“Stand-alone” (2007) – [eng]

“Concretion Re” (2007) – [fra]

“Concretion Re” (2007) – [eng]

“Concept-Car” (2007)

Stand-alone” (2007) – [ger]

About my work “Substitution 2 (The Unforgettable)” – (2007)

“4 Men” (2007)

“TRIPOD” (2007)

«CONCRETION» (Lettre à Frédéric) – (2006) – [fra]

“CONCRETION” (Letter to Frédéric) – (2006) – [eng]

«RE» (2006)

“RE” (Compte-rendu) – (2006)

About “U-Lounge” (2006)

«Hannah Arendt-Map» (2006)

“The green coffin” (2006)

“RESTORE NOW” (2006)

“Blaue Tombola” (2006)

Letter to Clare (“Châlet Lost History”) – (2005)

“Big Resonance Chamber” (2005)

“Outgrowth” (2005)

“UTOPIA, UTOPIA = ONE WORLD, ONE WAR, ONE ARMY, ONE DRESS” (2005)

“Outgrowth” (2005)

“KNABENTRAUM” (2005)

“24h Foucault”, pre-project (2004) – [eng]

“24h Foucault”, pre-project (2004) – [fra]

A propos du «Musée Précaire Albinet» (2004)

«24h Foucault» (2004)

“UNFINISHED WALLS” (2004)

“Swiss-Swiss Democracy” (2004)

About the “Musée Précaire Albinet” (2004)

“Musée Précaire Albinet” – Aubervilliers / Conférence à Rennes (2004)

“STAND-IN” (2004)

“Châlet Lost History” (2003)

«PROVIDE RUINS» I-VIII (2003)

«Emergency Library» (2003)

„Emergency Library“ (2003) – [ger]

“Drift Topography” (2003)

“Bataille Monument” (2002)

CAVEMANMAN Pre-Project (2002)

“Doppelgarage” (2002) – [ger]

Concerning «Blow down» (2001)

Letter to Bice (Regarding Wirtschaftslandschaft Davos) – (2001)

A propos de la fin du “Deleuze-Monument” (2000)

“Archeology of Engagement” (2000)

“JUMBO SPOONS” (1999)

“Spinoza-Monument” (1999)

“Raymond Carver-Altar” (1999)

“Sas de Contamination” (1999)

“WORLD CORNERS” (1998)

“SWISS CONVERTER” (1998)

“Lascaux III” (1997)

“Crédit Lyonnais-Dock”, Bordeaux (1995)

INTERVIEWS

Interview SCULPTURE MAGAZINE (February 2022)

“ART=SHELTER” interview with Sergej Timofejev (2022)

“The Purple Line” – Interview for ‘La Lettura’ (2021)

14 questions Magdalena Ujwa-Gawlik (2021)

Interview Victor Schmid (2020)

Interview Beaux-Arts Magazine (2020)

Interview with Amin Alsaden (2020)

Interview “Die Weltwoche” (2020)

Interview ‘Der Freitag’ mit Michael Angele (2020)

Interview avec Daphné Bétard (2020)

“UN MOMENT INÉDIT” (2020)

E-mail Conversation with Kathleen Bühler (2019) [eng]

Conversation par e-mail avec Kathleen Bühler (2019) [fra]

ENTRETIEN THOMAS HIRSCHHORN – MARIA STRAVINAKI (2019)

CONVERSATION BETWEEN THOMAS HIRSCHHORN AND SANDRA GUIMARÃES (2018)

Interview Christopher Beanland (2019)

“Art, Art and Self” Yasmil Raymond in conversation with Thomas Hirschhorn (2018)

Interview with Timothée Chaillou (2018)

INTERVIEW CHRISTIAN PAULI – HBK ZEITUNG N°2 – (2018)

Interview with Alice Henkes, Artmapp (01/2018)

Interview with Olivier Zahm, Purple Magazine S/S issue 29 (2018)

Interview Oozart Magazine (2018)

Interviewleitfaden – Thomas Hirschhorn (2017)

Interview “Pixel-Collage” for Musee Magazine (November 15, 2017)

«Avoir un plan», Interview avec Julie Enckell Julliard (2016)

Interview Theater der Zeit (2016)

‘Voir et Penser’, Revue Esprit (Juin 2016)

7 Questions Yasmil Raymond (2016)

Interview with Sarah Lookofsky (2013)

Entretien avec Jacques Rancière (2009-2010)

„Partizipation kann nicht provoziert werden.“ (2007)

Interview “Cavemanman” (2006)

Answers to the Tarzan & Jane project (2006)

Interview with Alison Gigeras for Phaidon (2004)