The “Gramsci-Monument” is a Form, it is a new Monument Form. It is a new Monument because of its Dedication, it is new because of its Location, it is new because of its Duration and it is new because of its Outcome. Everything related to it and coming from it is new...
To not produce or to refuse to do something, or to not participate, can be as important as doing something. As an artist I have to confront this question every day. It is necessary to know what to produce and decide to produce or not. It is not necessary to publicize...
I will try to clarify, in eight points, why it’s important – today – to look at images of mutilated human bodies like those I have used and incorporated in various works such as ‘Superficial Engagement’ (2006), ‘Concretion’ (2006), ‘The Incommensurable Banner’ (2007),...
– Kunst, weil es Kunst ist, ist Widerstand. Kunst widersteht Tatsachen. Kunst widersteht politische, ästhetische und kulturelle Gewohnheiten. Kunst, in seinem(ihrem) Widerstand, ist Bewegung, Bestimmtheit, Intensität, Glaube. – Kunst, weil es Kunst ist,...
I made “Banners” in 2009 for the 50th Anniversary of the Guggenheim Museum New York, “Contemplating the Void: Interventions in the Guggenheim”. Beyond my project-participation, “Banners” is for me an opportunity to give form to what I think Art can do. 1....
Dear friend, dear art historian*, Thank you very much for your e-mail I got a few days ago. Today, with my response I want to share with you a thought I had listening to your questions recently in Paris. It’s a thought I had before when listening to you but also to...
