6 concerns about “The Bijlmer Spinoza-Festival” (2009)

The product, shape, construct or the experience of this project should be precisely described and critically published because it is something precise, that’s exactly the point. What’s precise is my assertion that art – because it’s art –...

“John Heartfield-Memorial” (2009)

My proposal for the “4th Plinth” is the “John Heartfield-Memorial”. This is a temporary street altar dedicated to the artist John Heartfield (born 1891 Berlin – died 1968 Berlin) and to his work. It is a ‘Memorial’ as those made for unknown or famous people who,...

Toward ‘Precarious Theater’ (2009)

Now – after my “Spinoza-Theater” experience – I understand why, before performing, actresses and actors in France say “merde” to encourage each other. I consider the “Spinoza-Theater” that I integrated in the “Bijlmer...

«The Bijlmer Spinoza-Festival» (2009)

Bijlmer «The Bijlmer» is a neighborhood south-east of Amsterdam. Because it is the location for the set up of «The Bijlmer Spinoza-Festival» – this neighborhood is both the place that hosts and the place for which «The Bijlmer Spinoza-Festival» is destined. That is...

A propos du “Spinoza Théâtre” (2009)

Je comprends maintenant pourquoi les actrices et les acteurs avant de jouer se disent pour s’encourager en France « merde ». J’estime que le Spinoza Théâtre que j’ai fait intégré dans le Bijlmer Spinoza Festival est un désastre. C’est un désastre sur ce qu’on peut...

«Too Too-Much Much» (2010) – [nld]

« Too Too – Much Much » wordt een werk dat mijn richtlijn « Energy : Yes ! Quality : No ! » volgt. Er zijn twee ‘topics’ in dit werk. De eerste is gelinkt aan het motief : de drankblikjes, de consumptie, het Teveel terwijl de tweede topic verband houdt met de taak van...