To not produce or to refuse to do something, or to not participate, can be as important as doing something. As an artist I have to confront this question every day. It is necessary to know what to produce and decide to produce or not. It is not necessary to publicize...
I will try to clarify, in eight points, why it’s important – today – to look at images of mutilated human bodies like those I have used and incorporated in various works such as ‘Superficial Engagement’ (2006), ‘Concretion’ (2006), ‘The Incommensurable Banner’ (2007),...
– Kunst, weil es Kunst ist, ist Widerstand. Kunst widersteht Tatsachen. Kunst widersteht politische, ästhetische und kulturelle Gewohnheiten. Kunst, in seinem(ihrem) Widerstand, ist Bewegung, Bestimmtheit, Intensität, Glaube. – Kunst, weil es Kunst ist,...
I made “Banners” in 2009 for the 50th Anniversary of the Guggenheim Museum New York, “Contemplating the Void: Interventions in the Guggenheim”. Beyond my project-participation, “Banners” is for me an opportunity to give form to what I think Art can do. 1....
Dear friend, dear art historian*, Thank you very much for your e-mail I got a few days ago. Today, with my response I want to share with you a thought I had listening to your questions recently in Paris. It’s a thought I had before when listening to you but also to...
