Interview with Sarah Lookofsky (2013)

Question 1:I know that you were searching for a long time for an ideal location for your Gramsci Monument in New York. What made you finally decide on the Forest Houses in the Bronx? Answer 1:The decision to do the “Gramsci Monument” at ‘Forest...

«Break-Through» (2013)

«Break-Through» est le titre de cet ensemble de travaux de sculpture. C’est une nouvelle forme de sculpture, composée de plusieurs segments en enfilade dans l’espace de la galerie. Cette nouvelle forme de sculpture est accrochée au plafond, elle vient d’en haut, elle...

“The Fire Was Here” (2013)

Ich bin glücklich, dass „The Fire Was Here“ ein Teil der Ausstellung „Nur Skulptur“ ist. Denn „Nur Skulptur“ kann die Konditionen einer Implikation – von eins zu eins – schaffen, „Nur Skulptur“ besitzt die Kraft zur Transformation – zur Transformation...

About Headlessness (2013)

Headlessness is an important term to me and acting in Headlessness does count for me. As an artist the notion of Headlessness – which is an absolutely positive notion – guides me and drives my work, from start. The term Headless is shared as well by Art and...

“Energy: Yes! Quality: No!” (2013)

Why “Energy: Yes! Quality: No!”? I can only do a project about something I believe in. I know what has energy; I know where there is energy. “Energy: Yes! Quality: No!” is one of my guidelines as an artist. It is an affirmation, it is something...

Le public «Non-Exclusif» de Vincent Van Gogh (2013)

Le travail de Vincent Van Gogh – parce que c’est de l’Art – est ‘Résistance’, ‘Intensité’, ‘Mouvement’, ‘Conviction’ et il est ‘Positif ‘. Parce que c’est de l’Art, son travail résiste aux faits. Il résiste aux habitudes culturelles, politiques et...