1. Parce qu’un de mes principes est de ne jamais me plaindre, de ne jamais m’expliquer. 2. Parce que la critique n’importe pas si j’ai conscience que le vrai et unique problème – qui est mon problème – est: comment faire une œuvre d’art qui définisse,...
I think M. Piotrowski is wrong and I think he fell into a trap, into the trap of ‘the separation between Art and Politics’ (the ‘good’ and the ‘bad’) when he declared: “Pussy Riot machen keine Kunst, sie sind rein...
Art – because it is Art – is and must be critical, it’s imperative. Therefore, there is no need to discuss the ‘critical potential of art’, and there never was. In being critical, art must turn against itself, if it doesn’t it has nothing to do with art,...
In doing my work in public space and furthermore, in doing works involving residence on location such as the upcoming “Gramsci Monument”, I am confronted with the question of ‘authorship’. Unshared Authorship Consequently I want to propose a new kind of authorship:...
Projects which I call “Presence and Production”-projects want to establish another topic than “Participation”. “Presence and Production” is my term. This new term wants to stand up beside terms as “Participative Art”,...
“ABSCHLAG” is the title, but also the form of my project at ‘Manifesta 10’, St. Petersburg. As a form, it means and shows that a part – an important part of its entirety – has been cut off, as for example, when facades of entire...
